A companion to guidebooks to the handbook of...

I'm hard at work editing a steady flow of contributions to what will eventually be the Cambridge Companion to Epicureanism. (By the way, if anyone has any bright ideas about a nice cover for the volume, then I'm open to suggestions.) And I'm currently thinking over a more ambitious editing project to cover ancient philosophy more generally. But I can't help having a certain sinking feeling about the never-ending and ever-growing set of companions, handbooks, guidebooks, and the like. What are they for? [1] Different things, I suppose. Some are clearly intended as monumental statements of the state of the art. Others are more introductory and aimed at students or scholars in related but distinct areas who want a handy way in to a different field. And they also differ according to the scope and ambition of the subject area they propose to accompany or guide you through. ('Companion' is, I now come to think, a much less authoritarian sort of thing to call a volume. A guidebook is a bit more dictatorial: 'this is what you should think.' 'Now look here.' etc. Companions are, perhaps, supposed to be something you have with you as you make your own way. A study-buddy...) Also, what is the intended relationship between a companion to a subject and a first-order piece of scholarly work on the same subject?

So I started off thinking about companions with this question: What would I want the ideal one of these to be like? I reckon, it ought to have a number of virtues, certainly including these four:

1. It should offer a reliable account of the subject area. For a historical subject, this would mean saying what the evidence is, what is generally made of it, and so on.
2. It should give a good idea of why the subject area is interesting.
3. It should give a sense of what at present are the major scholarly debates or schools of thought on the given subject.
4. It should guide the reader to more specialised discussions, related areas and the like.

So this should be a point of entry and an invitation to a field of thought. It should not be thought to replace the first-order research. But it should show what the research is like, why it matters, and what sort of things it talks about. It is not a textbook which will replace or subsitute for the already-existing literature.

But there is something else I think they ought to do. For companions (or whatever) to philosophy, I would think they ought to give an impression of the practice of philosophy. So a companion to metaphysics ought not to be a list of positions or a survey of what conclusions might be reached; instead it would also have to show what it is like to be engaged in philosophical inquiry. It would therefore have to exemplify what it is about.

For my line of work, a companion to some historical period or school of philosophy, a good companion would introduce the reader to the practice of thinking philosophically and to the practice of interpreting and contextualising the particular subject matter. So it would have, for example, to show how to read a bit of Aristotle both by engaging with the argument and also, perhaps even initially, by showing how to get from a bit of Aristotle's writings to a relatively clear view of what it means. Of course, these two practices are not easy (or desirable) to keep apart; that, it seems to me, is what working on historical philosophy is all about: it is both history and philosophy.

I think I am coming to the view that a good companion will have two, perhaps very different, functions. It will (i) lay out the state of play, explain where to go to find various texts, say what they are generally thought to be about and so on; but also (ii) it will function as a protreptic to further deeper work and offer a set of examples of what is involved in working 'unaccompanied' with this material. This second might take the form of more specific or specialised bits of research. The authors can feel liberated from the need to 'cover' an area because their job here is to offer up an example of what the next stage of work would look like, exposing the difficulties and wondering explicitly about methodological questions.

[1] There are some interesting thoughts in G. R. F. Ferrari's introduction to the new Cambridge Companion to Plato's Republic (2007, Cambridge), xv. Ferrari also stresses the idea of 'accompaniment': 'This Companion, by contrast [sc. with a scout striking a new path], seeks to walk with those who are already on the road...'

Just desserts

You can't make a jelly with pieces of kiwi fruit suspended tantalisingly inside. We learned that lesson yesterday the hard way -- and, after several hours, had only a bowl of sticky runny strawberry gloop with some kiwi pieces floated on top. But here's the reason why, from the helpful people at Planet Science and their fruity-jelly-making tips:

Just don't try fresh pineapple or kiwi fruit!

These fruits contain an enzyme, a molecular machine, which chops up proteins. As gelatine is a protein it is chopped up by the enzyme. As the gelatine fibres are chopped up their net falls to pieces, allowing the water to flow freely and turning the jelly back into a sloppy liquid. If you fancy pineapple in your jelly, then use the tinned sort. As part of the canning process the fruit has been heated up. This destroys the enzyme so that it can no longer chop up the gelatine.

So only tinned pineapple will do.... Damn those fresh fruit!

Things to do in Dorset

Here are my top five (in no particular order):

Monkey World. It's a whole world of monkeys. (Well, they have apes too -- as my eldest pointed out -- so maybe 'Primate World'. Less catchy, but more taxonomically accurate.)

Maiden Castle. Lots of fun even on a windy and wet afternoon. You share it with the sheep and can pretend to be a windswept and wet Iron Age person. They were probably pretty grumpy quite a lot of the time and I can see why you'd need to plait your hair. Blimey, it was windy.

Dorset County Museum, Dorchester. Dress up as a Roman (if you are five). Look at some brilliant stuff, including a jade axe head. JADE! Completely pointless as an axe head, of course, but amazing and beautiful and all the way from Italy. A really super little museum with well thought out exhibitions and lots for people from 2 to 102...

Winborne Model Town. A totally bonkers idea. In the 50s some blokes decided to make a 1:10 replica of their town. Unfortunately their replica does not include a 1:10 scale model of the model village, which would also have to contain a 1:100 scale model.... etc. Nice cream teas.

The Red Lion, Winfrith Newburgh. Really good food. There wasn't any lamb kleftiko this time, alas, though I'm told the beef stifado was just as good. R. liked the bruscchete.

Sale on now!

People in the UK cannot afford to miss this Amazon offer on The Wire DVD box sets. 65% off for the best TV series in the world?

Tolerance

I've just come back from a week's holiday en famille in Dorset. We went back to a lovely little cottage in Winfrith Newburgh, called 'Snail's Place' (information here), which is perfect for this kind of trip. The kids love the olde worlde bit and we can tuck them up in the evening and stay downstairs with a good bottle of wine and a DVD -- currently more of The Wire...

On the way, we stopped on the M3 at Fleet services to stretch our legs and get something to eat. We had already crawled round the M25 and were a bit frazzled. The two-year-old is not always great on such occasions and this time she really kicked off and had a bit of a tantrum. Nothing nuclear, really, just a lot of noise. But it was a very busy place and lots of peole were feeling similarly grumpy and many of them had kids who were doing the same or had done so in the past.

But one couple at a table next to us were not very happy with being this close to a wailing child. I suppose I can see their point, but there is not a whole lot you can do about it in a place like that and in holiday-traffic levels of people. Still, what was unusual was that in addition to the tutting and eye-rolling, one of the men decided to lean across and directly address our daughter with several loud orders to 'hush'. Not what normally happens. Of course, this did not result in a quiet toddler; quite the opposite. In fact, had I been so ordered by someome who might -- by a less kind critic -- have been described as 'gaunt, with an overly-tight white t-shirt and Club Tropicana highlighted hair', I would have been uninclined to do anything but scream back. Which is precisely what happened.

I was a bit annoyed at them too. I know screaming kids are incredibly annoying. Other people's screaming kids are perhaps more annoying still. But we were hardly in a Hampstead bistro and I would have thought that you might expect to come across some less than perfectly behaved kids in Fleet services on an August Saturday. And even if they were, perhaps understandably, annoyed and put off their muffins just a little, you don't shout at other people's children like that.

What was Sextus Empiricus up to?

Events at the end of the Symposium Hellenisticum cast (and will continue to cast) a long shadow over the entire proceedings. But it was a very engaging conference and I came away with a number of new questions which it seems to me are worth noting down here. My paper will require quite a lot of revision, so I will ponder these as I go about that job. My principal questions are about Sextus' method and background knowledge.

1. How much did Sextus know about e.g. the Stoic philosophy he was attacking? Was he, for example, fully aware of the Stoic distinction between the sense in which the present exists and the past and future merely subsist?
2. If he did know about these niceties did he care about them? If not, is this due to sheer sloppiness or does he simply think that such word-magic is of no philosophical use?
3. Who was he writing for? Were M 9 and 10 written for people already tempted by Pyrrhonism, perhaps even practising Pyrrhonists? It's unlikely that any committed Stoic would be much moved by what he writes, for example, so does that make him a poor dialectician or is that all part of the Pyrrhonist stance?
4. How much had Sextus read? In particular, how much did he know of any philosophical work (particularly in the dogmatic schools) after, say, Aenesidemus?
5. What are we to make of the methodological introduction to M 9? Does Sextus carry through with this manifesto? If not, why not? If he does so more in some areas than others, why?
6. Sextus seems both very taken by and also keen to distance himself from Diodorus Cronus although Diodorus produces plenty of useful material for the anti-physiologia project. Why? Does this have to do with methodological qualms, differences of aim, or something else?

The fact that I am left with such apparently basic questions is a virtue of the conference. I had not been made to think these issues through before, but they are all very basic to understanding the work.

End of the conference

The Symposium ended with some extremely sad news.

Waiting to present...

We're about half-way through the conference now, moving from book 9 to book 10 of Sextus. This morning we get to be concered about where there is place... I've drawn the short straw and am giving my paper last of all, on Saturday afternoon. On the one hand, by then everyone might be tired and sleepy and not in the mood for any serious aggression. On the other, they may have got so grumpy over the week that I get a serious going over. It's hard not to spend the whole week in a state of anxiety, worried whether someone is going to come out and say something that either anticipates the very small amount I think I have to add to the general discussion or else totally undercuts the basis of my paper. Them's the risks, I suppose.

From our embedded correspondent

So here I am in Delphi, enjoying the view (fantastic), the food (excellent) and getting thoroughly confused by Sextus Empiricus (probably what he wanted...) I would add a photo, but this slightly antiquated computer doesn't seem to like the fancy Blogger features. Perhaps when I get back. More updates if and when something occurs to me.

UPDATE: I've now added a photo. This surely ranks as one of the best views from a conference centre anywhere in the world:

Packing for Pyrrhonism

I'm off (very early) tomorrow morning to the Symposium Hellenisticum in Delphi. I'll be away from the kids for a week, which will be a shame, but the conference looks like it is going to be very rewarding. And it's a lovely location.

Is the Fellow next to me at lunch a Time Lord?

I'm re-reading Douglas Adams' Dirk Gently's holistic detective agency. Chapter 3 has an excellent account of a high table dinner at a Cambridge college (here it is the fictional St. Cedd's, probably based on Adams' own college, St. John's) which I had not properly appreciated before, since I must have read it first when I was about 15 and a very long way from a Cambridge college high table. One of the fellows dining is the excellent Professor Urban Chroniotis, 'Reg', the Regius Professor of Chronology... It turns out that Reg is a Time Lord, and a refugee from a Doctor Who story.

Lots of fun. And, it has to be said, it has made me look a little differently at some of my colleagues. Perhaps those odd non sequiturs at lunch are not a sign of age or the sheer weight of learning. Perhaps it is just difficult to keep track of things when you're zooming back and forth across the space-time continuum. And no wonder people seem to have more time than I to get things done. If a deadline is looming, they just pop into a time machine and give themselves a but more leeway... Handy.

BB geets cultured

S. pointed this out to me yesterday. Why has Radio 4's Mark Lawson entered the Big Brother house under the obvious pseudonym of 'Jonty'? Perhaps Channel 4 have responded to concerns over the low-brow nature of much of its content and are re-introducing late-night arts discussion programmes by stealth. Good for them.

'Jonty'


Lawson

Private pain

I'm still wondering about Sextus Empiricus M 9.162-7. At the moment I am wondering about the sense in which Sextus thinks that pain is 'private'. He certainly argues here that the only method by which god might acquire knowledge of pain is by experiencing it. The relevant bit of the argument is as follows:

If god possesses knowledge of these [sc. of goods, bads, and indifferents], he knows what sort of things are good, bad, and indifferent. Since, then, suffering is one of the indifferent things, he knows both suffering and what it is like by nature. And if so, he has experienced it; for without experience he would not have formed a notion of it, but, just as the man who has not experienced white colour and black, owing to his having been blind from birth, cannot possess a notion of colour, so too god cannot have a notion of suffering if he has not experienced it. For when we, who have often experienced it, are unable to discern distinctly the special quality of the pain suffered by gouty patients or to guess it from descriptions, or to get consistent accounts from the actual sufferers, since they explain it in different ways, and some say that they find it to resemble twisting, others bending, others stabbing, -- surely, if god has had no experience at all of suffering, he cannot possess a notion of suffering.

The question whether Sextus thinks that to have knowledge of pain it is necessary to experience pain first-hand, so to speak, may turn out also to be relevant to a long-standing question about the scope of ancient scepticism and, more generally still, about the overall ancient treatment of what we might call subjectivity. Does Sextus consider pain to be what we might all a ‘subjective state’? That is, does he consider pain to be a state such that there is ‘something it is like to be in pain’, that there is some ‘characteristic phenomenological feel’ to it? If so, does he think that there can be a reasonable question about whether we can or indeed do have knowledge of such states qua subjective states? In short, does he think it is a reasonable question to ask whether we can have knowledge of pain, if pain is indeed in his eyes something we would recognise as a subjective state? If the answer to this final question is yes, then this might lend support to a view which sees less of a radical difference between Sextan and, for example, Cartesian approaches to questions of knowledge and certainty, especially when those questions are applied to knowledge of one’s own mental states.

The question of Sextus’ attitude to pain would appear to be a good place to look for useful evidence in trying to answer this set of questions since pain would perhaps count as a particularly good example of a ‘subjective state’ in modern philosophy. Pain, on at least one persistent view of its nature, is thought to be private and grasped only via some kind of introspection. There is, additionally, certainly something it is like to be in pain. Indeed, these assumptions are precisely what generate some rather difficult modern problems in dealing with pain since they make it rather difficult to see what relationship pain in this sense can have with physical damage and the equally plausible assumption that pain is physically localised in distinct parts of the body. We can leave these difficulties aside for the moment however, if it is sufficiently agreed that pain would be an interesting test case for Sextus’ treatment of so-called subjective states.

Sextus does in this passage seem to accept that pain is private. At least, he claims more than once that knowledge of pain can be acquired only by experiencing it first-hand. But it seems to me that this need not mean that he holds anything like the particular modern notion of pain as a subjective state, since there are various ways in which the privacy of pain might be explained. In fact, the comment about the impossibility of learning about pain through interviewing gout sufferers would seem to fall perfectly in line with the view that, on Sextus’ view, pain is inaccessible to anyone who is not suffering not because it is somehow an ontologically special and personal mental state, but rather because it depends on a particular internal state of the sufferer which is adêlon to all except the sufferer himself. Perhaps the most telling point of all is that Sextus even for the slightest moment is prepared to entertain this proposal of simply asking people to describe their feelings as a possible method of acquiring knowledge of pain. To put it another way, Sextus could have said in reply to this suggestion: ‘Don’t be silly. Of course, if you want you can ask other people what gout feels like, but this is no way to acquire knowledge of the pain of gout. Pain is the sort of thing that is private. I mean that it is private in a special way. Person X’s pain is not hidden from Person Y in the way that the interior of Person X’s private apartment is hidden from Person Y. Rather, pain is private in the sense that it is an essentially first-personal subjective experience. You can’t know what it is like to feel the pain of gout without yourself feeling gout, just as you cannot know what it is like to be a bat without yourself being a bat.’ Further Sextus could, for that matter, have pointed to the descriptions of the pain of gout as ‘twisting’, ‘bending’, or ‘stabbing’, and said that these are no use because at best they are only metaphorical or, at worst, are misleadingly describing some sort of mental occurrence in physical terms.

However, he says neither such thing. Instead he rules out the indirect acquisition of knowledge of pain because the reports of the peculiar nature of gout are such that no clear and consistent authoritative picture will emerge. It is because the gout is internal to the gout-sufferer that no one else can access it in such a way as to be able to acquire knowledge of it. An external observer, Person Y, might see the external symptoms of Person X’s gout, notice Person X’s groans and the like. But he cannot perceive the pain of gout. In a case such as this we are therefore reliant on the reports of those people to whom the pain of gout is evident, namely the sufferers themselves. So Sextus’ treatment of this possibility suggests that pain is not private in a way which would render such a form of inquiry immediately wrong-headed. Instead the problem faced is a very familiar one concerned with disagreement and the apparently irresolvable nature of the conflicting appearances. In this respect, there appears to be little difference in Sextus’ mind between the obstacles faced by (i) someone who has never experienced gout in answering the question: ‘What is the pain of gout like?’ just by asking sufferers to describe it and (ii) someone who has never entered an area of a temple reserved only for priests in answering the question: ‘What is it like in the inner sanctum?’ just by asking the priests to describe it.

Too old and too boring

This made me laugh, probably because it struck a chord. I'm off to a conference in a couple of weeks and need some light cotton trousers. The conference is in Greece so it's going to be warm. I can't spend the week in shorts because I have pasty weird English legs and, besides, when you wear shorts what can you wear on your feet? Trainers make you look like a clown or a high-school student -- you might as well put on a baseball cap and complete the look. And I cannot bear to wearing sandals or (gulp) flip flops... My family has recently gone crazy for Crocs shoes but since I don't work most of the time in a hospital operating theatre and can't in any case pull off bright pink clogs, I've been the only one to give them a miss.

Anyway, as I think I've said before there is a black hole of male clothing between the student years and the Werther's Originals phase. Some people go straight for the tweeds and come over all Ede & Ravenscroft, but my accent wouldn't fit... So I found myself in M&S buying some nice but -- let's face it -- really boring trousers. The only answer is just to give in and resign myself to beige and shapeless things until I decide that what I really nice is a nice warm cardie...

Allusion and intertext in two children's classics

Well, if it's good enough for classical poetry it's good enough for children's books. But I can't claim much credit for spying this -- my youngest daughter, on being read Maurice Sendak's Where the wild things are (1963) for the first time, pointed to one particular wild thing and exclaimed 'It's a Gruffalo!' I can see her point. (I think the wild thing in question is the one on the right.)

Not very telling, you might think, because monsters in children's books might be thought to have to follow some very basic and general parameters. No wonder that sometimes they resemble on another. Here, by way of comparison is the cover of Donaldson and Scheffler's The Gruffalo (1999): (You might want to compare the cover of the US edition, in which the Gruffalo seems rather more hidden behind a tree. Is this to make the book more exciting? Or is the monster too scary for open display in US bookshops?)


But then we read on and came to this description of the wild things (p.9):

And when he came to the place where the wild things are they roared their terrible roars and gnashed their terrible teeth and rolled their terrible eyes and showed their terrible claws.

Anyone who has read The Gruffalo as many times as we have will surely spot the allusion made there in a very strict poetic metre to Sendak's looser but poeticised prose. In the later work, the Gruffalo himself also has 'terrible tusks and terrible claws', not to mention 'terrible teeth in his terrible jaws'. It is not beyond credibility, surely, that this is a deliberate reminiscence of Sendak's classic [1]. Whereas the wild things are, we are encouraged to think, some kind of imaginative projection of the hero Max's anger and exuberance, the Gruffalo is initially the creative imagination of the hero in the later book, a mouse, designed to scare away various predators. But the mouse's creation turns out to be real, and this creates yet another creature to outwit.

[1] One of the reviewers on the Amazon.co.uk page, 'humptydumpty', seems to agree, as does the review from Publishers' Weekly, cited here. For similar claims about Sendak's influence, see here.

Light reading

I really should be getting down to finishing a draft of my paper on Sextus for the Symposium Hellenisticum and examining a PhD thesis, but I might get distracted by a new book which arrived this morning. It's hard to ignore -- the cover (black with red lettering -- very 80s) and title demand attention. And it might help with some of the worries I've been having about pleasure and pain.

There's a lot of good stuff in there, for a brief glance, although it won't really count as holiday reading. Hmmm. Is pain the next place for me to turn my philosophical attention after death? Is there a pattern emerging here?

Still, there are a number of philosophers interested in pain (insert joke here). Here is a good blog on the subject, by Adam Swenson, currently wondering about snail venom. (His 2006 Rutgers PhD on pain and value can be read here.) And the editor of the collection pictured here has a good online bibliography.

Oh dear

I've just asked for the film rating of this blog. (You can do the same for yours here.)

It turns out that this blog should not be read by minors without appropriate supervision. And, let's be honest, adults should be warned that there may be some shocking content... Mostly, the fact that so far I have mentioned 'pain' 52 times seems to be major reason for this result. Better to be forewarned, I suppose.

God and Pain II

I noted yesterday an interesting argument in Sextus M 9.162-5 and wondered if the reference there to the 'peculiar pain of gout' in the context of an argument about acquiring knowledge of pain might point to an interesting idea about the first-personal introspective nature of pain in general. Does Sextus think that to 'know pain' is to know 'what it is like to be in pain' and that this latter can be acquired only by experiencing pain personally?

I think there are good reasons for thinking that Sextus’ conception of what it is to have knowledge of pain is not to be quickly assimilated to modern concerns about the acquisition of knowledge of qualia. Sextus does have concerns about the indirect acquisition of knowledge of pain, that is of acquiring knowledge of pain in any way which does not involve experiencing pain first-hand, but they seem not to be because he thinks that pain is such that it can only be known about through direct first-personal experience.

The grounds for this caution are to be found in some of Sextus’ supporting arguments. Even in such a compressed argument, Sextus finds time to address two counter-objections, both of which try to show that god might acquire knowledge of pain without having to experience it. The first of these counter-arguments is the most important, since this is the occasion on which he responds to a claim that knowledge of pain might be acquired by interviewing, as it were, people in pain. (I might look at the second some other time.)

The first response is part of an a fortiori argument. Sextus wants us to think about how difficult it is for us, who have at least experienced some pain, to come to know the pain of gout. (He assumes, therefore, that his audience are not gouty-types themselves.) You might think that it is possible to know what it is to feel the pain of gout, for example, by talking to people who are experiencing or have experienced that pain and discovering what it is like. But, Sextus argues, it is not possible for us to acquire knowledge of the pain of gout in that way and, remember, unlike the hypothesised pain-free but knowing god, we at least have experienced some pain in our lives. If it is impossible for us to know the pain of gout, then a fortiori it is impossible for god to do so.

Sextus’ response to the proposal that such knowledge may be acquired indirectly is telling, since it offers another clue to his general presumptions about the nature of pain and the nature of the knowledge of pain. The problem he outlines is not, importantly, the most general point that some more modern philosophers might make, namely that pain cannot be known except by direct, first-personal, acquaintance. Rather, he says that it would be impossible to acquire knowledge of pain through these indirect means because even those people suffering from the same ailment – gout, for example – will describe their experience in wildly differing ways. Some say it is like a kind of twisting; some say it is like a kind of bending; others say is it like a kind of stabbing. We can recognise here a very common form of Pyrrhonist argument: he has outlined a general diaphōnia between gout-sufferers. This disagreement is, furthermore, impossible to resolve in favour of any one rather than the other proposed descriptions of what it is like to experience the pain of gout. The ‘twisting-gout sufferers’ are no more authoritative than the ‘stabbing-gout sufferers’, and so on. And since these descriptions are competitors, we cannot simply accept all of them as capturing some aspect of the phenomenon such that they can be simply combined.

Although Sextus does not make this claim explicit, the form of this reply suggests that he is at least prepared to imagine that it might be possible to acquire knowledge of pain in this fashion, if only there were not such an irresolvable difference between the various sufferers’ descriptions. In that case, the difficulty is not with the very principle of the procedure of asking for sufferers to describe their pain but with the problems faced in trying to get any reliable and useful single answer to the question being posed. It is not, in other words, that Sextus thinks it wrong-headed to try to understand what it is like to experience gout by asking a gouty person to describe it to you; it is rather that it is terribly difficult to get any clear and reliable answer to the question: what is it like to suffer from gout? If that is right, then Sextus’ objection to this method of acquiring knowledge of pain is not based on a conviction (even a conviction on the part of his opponent which Sextus is prepared to use dialectically) that pain can be understood only via direct first-personal experience.

God and Pain I

I’ve been doing some homework for a conference next month and have come across a passage which is also interesting for my ongoing thoughts about pleasure and pain in ancient philosophy. At M 9.162–5 Sextus offers the following argument against the existence of god. It is based on the idea that if god exists then god must possess wisdom and therefore know what is good, bad, and indifferent. He must therefore know pleasure and pain. Sextus insists that this in turn requires that god must have experienced pleasure and pain since that is the only way in which knowledge of these may be acquired. But if god must experience pain in order to have the wisdom essential to god’s being, and to experience pain is to be receptive of change and decay, then there is a central incoherence to the notion of god under scrutiny. God cannot be both unchanging and perfect and also wise. The argument in full is as follows:

εἰ δὲ ἐπιστήμην ἔχει τούτων, οἶδε ποῖά ἐστι τὰ ἀγαθὰ καὶ κακὰ καὶ ἀδιάφορα. (163) ἐπεὶ οὖν καὶ ὁ πόνος τῶν ἀδιαφόρων ἐστίν, οἶδε καὶ τὸν πόνον καὶ ποῖός τις ὑπάρχει τὴν φύσιν. εἰ δὲ τοῦτο, καὶ περιπέπτωκεν αὐτῷ• μὴ περιπεσὼν γὰρ οὐκ ἂν ἔσχε νόησιν αὐτοῦ, ἀλλ’ ὃν τρόπον ὁ μὴ περιπεπτωκὼς λευκῷ χρώματι καὶ μέλανι διὰ τὸ ἐκ γενετῆς εἶναι πηρὸς οὐ δύναται νόησιν ἔχειν χρώματος, οὕτως οὐδὲ θεὸς μὴ (164) περιπεπτωκὼς πόνῳ δύναται νόησιν ἔχειν τούτου. ὁπότε γὰρ ἡμεῖς οἱ περιπεσόντες πολλάκις τούτῳ τὴν ἰδιότητα τῆς περὶ τοὺς ποδαλγικοὺς ἀλγηδόνος οὐ δυνάμεθα τρανῶς γνωρίζειν, οὐδὲ διηγουμένων ἡμῖν τινων συμβαλεῖν, οὐδὲ παρ’ αὐτῶν τῶν πεπονθότων συμφώνως ἀκοῦσαι διὰ τὸ ἄλλους ἄλλως ταύτην ἑρμηνεύειν καὶ τοὺς μὲν στροφῇ, τοὺς δὲ κλάσει, τοὺς δὲ νύξει λέγειν ὅμοιον αὑτοῖς παρακολουθεῖν, ἦ πού γε θεὸς μηδ’ ὅλως πόνῳ περιπεπτωκὼς (165) <οὐ> δύναται πόνου νόησιν ἔχειν

This is Bury’s translation:

If he possesses knowledge of these [sc. of goods, bads, and indifferents], he knows what the goods things are and the evil and the indifferent. Since, then, suffering is one of the indifferent things, he knows both suffering and what its real nature is. And if so, he has experienced it; for without experience he would not have formed a notion of it, but, just as the man who has not experienced white colour and black, owing to his having been blind from birth, cannot possess a notion of colour, so too god cannot have a notion of suffering if he has not experienced it. For when we, who have often experienced it, are unable to discern distinctly the special quality of the pain suffered by gouty patients or to guess it from descriptions, or to get consistent accounts from the actual sufferers, since they explain it in different ways, and some say that they find it to resemble twisting, others bending, others stabbing, -- surely, if god has had no experience at all of suffering, he cannot possess a notion of suffering.

The claim that god is without pain or toil is not uncommon in Greek philosophical thought and can be traced back at least as far as Xenophanes (DK 21 B25). Sextus evidently feels that it has now become sufficiently central to a conception of divinity that if he can demonstrate that it is incompatible with another common characteristic of divinity, namely that god is wise, then this inconsistency is extremely damaging for a dogmatic theist. My principal interest in this passage is in Sextus’ apparent contention that the only way in which it is possible to acquire knowledge of pain is through experiencing it. The reference to the ‘special quality of the pain suffered by gouty patients’ and the idea that it cannot be grasped except by having gout is certainly suggestive of such a view. This is an interesting claim because it might be thought to anticipate in an important way a claim often made in more modern philosophical discussions of pleasure and pain that they are essentially first-personal private experiences. Some modern philosophers also make the additional claim that experience of pleasure and pain of this kind is incorrigible: a person cannot be mistaken in his assessment of whether he is experiencing pleasure and pain. Sextus, we should note at the outset, makes no such additional claim and in any case need not do so for the purposes of this destructive argument. He needs only the claim that in order to acquire knowledge of pain it is essential to experience pain. It is not, therefore, possible to claim that god may acquire knowledge of pain by experiencing the positive pleasure and being able to extrapolate from that positive experience what it would be like to experience its opposite, pain. Rather, knowledge of pain can come only from a direct and personal experience of pain.

I’m still thinking this through because I have the suspicion that some of what Sextus later says in this argument makes it less like the first-personal private sensation view. Something for a later entry, I think.

Confused

Now TV is really messing with me. Last night, still fuming at the self-aggrandising that was the Alastair Campbell Diaries, I turned over to Channel 4 to see Big Cook Ben and Little Cook Small presenting Big Brother's Big Mouth. Without a grown-up helper. And Big Cook Ben was much smaller than Little Cook Small. Cripes! There's more of their 'adult' comedy here, if you're bothered...